In 1150 St. Hildegard completed her first major work, Scivias (“Know the Ways of God”), a description of 26 highly symbolized visions that manifest the history of salvation. Soon after her death, inexplicably, Scivias and Hildegard fell into obscurity. It wasn’t until the late 20th-century that the work was rediscovered by Latin scholars looking for material for their students. The first complete English translation appeared in the 1990s.
In Book Three, Vision 11, Hildegard describes five symbolic animals as the forerunners of the Antichrist: a Fiery-Red Dog, Yellow Lion, Pale Horse, Black Pig, and Grey Wolf. She explains that each one represents individual and brief historical periods that follow each other in succession. She also reveals how each animal symbolizes a particular evil that afflicts society during the corresponding period.
In my book The Five Beasts of St. Hildegard: Prophetic Symbols of Modern Society, I start with an examination the 20th-century with the intention of seeing how historians divided it up and then how they characterized the individual eras that the divisions would unveil. It turned out that there is general agreement among them; certain years marked major social and geopolitical changes in Western society: 1914, 1945, and 1991. Continue reading “St. Hildegard’s ‘Five Beasts’ in a Nutshell”→
It is generally agreed that the illuminations which accompany Hildegard’s Scivias (Rupertsberg Manuscript) were either sketched and painted by her, or produced under her supervision. The image of the Church as a Bride appears periodically throughout her visionary work. In Book III, Vision 11, chap. 13, which immediately follows her description of the era of the Grey Wolf, she describes the vision that corresponds to the illumination here:
“And I saw again the figure of a woman whom I had previously seen in front of the alter that stands before the eyes of God, …but now I saw her from the waist down. And from her waist to the place that denotes the female, she had various scaly blemishes, and in that latter place was a black and monstrous head.”
The Bride who appeared in an earlier vision only from the waist up is now seen fully complete, which reflects that the last days have arrived. Importantly, Hildegard adds that by this time the Church will be “…replete with the full number of her children” (Chap. 13); it will have completed her mission of evangelization. Continue reading “St. Hildegard’s Unsettling Vision of the Bride of Christ”→
One consequence of the fall of man was the corruption of marriage and the eventual institution of legal divorce. Even in Hildegard’s day (12th-century) divorce and remarriage were common in Latin Christendom. Marriages were utilitarian and pre-arranged, and consequently, loveless. They facilitated alliances between noble families in order to protect their respective fiefs or wealth. When circumstances would change and an alliance was no longer advantageous, the nobleman would discard the wife who was the basis of the pact and form another one with a different feudal lord.
One of the best weapons the Church employed to break down feudal society’s marriage customs was its insistence on consent as the basis for a valid marriage. Girls in their early teens were considered too young to grant consent and arranged marriages precluded it. Invalid marriages were a problem for the nobility because any children produced in them would be regarded as illegitimate and unable to inherit. The people of Christendom finally accepted that it was Church law, not civil law, that determined the validity of a marriage.